“Marko Mimica’s Raimondo was excellent, his stentorian bass ringing out as he described Arturo’s death and Lucia’s descent into madness. His character suffered a bit from having his Act II interaction with Lucia cut, but we nevertheless understood Raimondo to be a powerful, cool-headed man (as indeed he would have to be, to run into a bridal chamber at the sound of screams).”

Lucia di Lammermoor, Deutsche Oper, Berlin
May 2015